So the distinction is that the first sentence is emphasizing doesn't , while the second is emphasizing matter. Emphasizing that something doesn't matter simply reinforces how unimportant it is. By emphasizing matter , however, the second sentence becomes a statement of degree; it is about how much "it" matters.
This is because if something "really matters", it doesn't just matter; it matters more than something that merely "matters". Thus, the second sentence is not indicating that "it" doesn't matter at all , it is merely indicating that "it" doesn't matter as much as something that "really matters". So in fact in the first sentence, "really" makes the sentence more emphatic overall, because it emphasizes that "it" doesn't matter at all , while the second sentence is ultimately less emphatic, since "it" might still matter somewhat. In order of increasing emphasis, i.
In sentence 1, really modifies "doesn't matter". In sentence 2, really modifies "matter". The "doesn't matter" factor is more than the "matter" factor. But doesn't matter that much.
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Doesn't matter a certain amount. Anything that matters at least that much that "certain amount" or more is thought to really matter. You could argue it couldn't even be 1. By clicking "Post Your Answer", you acknowledge that you have read our updated terms of service , privacy policy and cookie policy , and that your continued use of the website is subject to these policies. Home Questions Tags Users Unanswered. I can't distinguish the difference in meaning between these two sentences. It really doesn't matter.
It doesn't really matter. It seems that there is a nuanced difference, but I cannot see what this is. Might be related to this question: I guess if you can't see the difference then it doesn't really matter Can't disagree more Mehrdad, when you can't tell why it's done differently that's probably precisely when you need to find out. The difference in meaning is quite large. Someone's taking things way too seriously! I think of this like "It really [doesn't matter]" vs "It doesn't [really matter]" where in both cases "really" intensifies what follows it.
When the adverb really comes before a negated auxiliary, the effect is of emphasising the truth of the sentence: I really cannot tell the difference. Here the speaker is emphasising that they honestly are unable to detect any difference. Instead of making the meaning of the sentence absolute, it has the effect of making the commitment vaguer: I can't really tell the difference. The Original Poster's examples: So the first one is like "I definitely cannot tell the difference" ie I am sure that I can't and the second is like "I cannot definitely tell the difference" ie I am not sure that I can.
In fact that's a great way of putting it. MaxWilliams Are you going to do an answer? Maybe to expand, "It is very much true that it doesn't matter" or "It is true that it doesn't matter very much". Both statements could conceivably refer to the same situation, but the first emphasizes how much it doesn't matter while the second emphasizes that there is some small degree to which it may matter. If we swap "really" for "definitely" this becomes more clear: The first one is like "It definitely doesn't matter" I am sure that it doesn't: Max Williams 21k 5 40 I think it helps a lot to break these two sentences down: It really doesn't matter: The base sentence here is It doesn't matter.
Really is an adverb which modifies doesn't. In this case, it puts emphasis on doesn't , meaning that it does not matter to a high degree. It doesn't really matter: The base sentence here is It really matters. Doesn't modifies really by negating it. Actress Jenna Dewan made one of her debut appearances in the video, crediting Jackson for the experience and platform to star in the dance film Step Up. Rihanna 's "Watch n' Learn" was likened to the song, and it was also covered by Japanese singer Hitomi Shimatani as " Papillon ".
The Klumps , starring Jackson and actor Eddie Murphy. Jackson portrays Professor Denise Gaines in the film, the love interest of Sherman Klump, one of many characters portrayed by Murphy. Jackson received a minimum upfront payment of three million dollars for accepting the role, and an additional one million to record the movie's theme. The song's initial concept was based on a lyric draft Jackson had written and discovered, which she thought would be suitable for the film's theme. Jackson stated "it really tells you about the movie and how it doesn't matter what is on the exterior, but the interior.
His heart, his soul, that really matters to me.
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That's what I'm in love with, that's what matters to me the most, and it doesn't matter what other people say. Several radio stations created their own edits until the official version was released, prompting producer Jimmy Jam to exclaim "That's wonderful, because it means radio is excited about it. The decision to release the single was considered "the pop star's latest savvy step in a career that's a study in smart moves," continuing to "keep her youthful fans on the dance floor" while devoting time to her film career.
Several years after receiving favorable reception in Poetic Justice , Jackson decided to attempt a romantic comedy. Jackson had been offered leading roles in The Matrix , X-Men , and Jerry Maguire , but was unable to accept each due to touring. When asked to contribute a single, Jackson said she would consider the idea if she found an appropriate song. Jam recalled, "He said, 'Now that you've seen the film, if you'd like to do a song for it, that'd be great. Its initial concept was based on a poem Jackson had written and found in a notebook. Jackson's original lyrics were kept intact, although its structure was altered.
Jam commented "The lyrical idea for 'Doesn't Really Matter' is totally hers, but the music and melody was something I had done with one of our drum programmers, Alex Richburg. I thought of it as a slow melody, but we sped it up.
Segal decided "Doesn't Really Matter" was a better fit and a "summertime record. In "Doesn't Really Matter", Jackson speaks of looking past physical appearance, choosing to love the person inside. Using a vocal falsetto , Jackson assures "[It] doesn't really matter what the eye is seeing, 'cause I'm in love with the inner being," considered a "sweet song of unconditional love.
Jackson said "It plays a major part in society, it seems today. Their image, what a woman is supposed to look like — all the things you read in the magazines about either being too thin or too this or too that, but it's really about feeling good yourself and accepting yourself. Self-acceptance, which is another story you see here in this film, is the most important thing as well as being happy with who you are. Jackson said, "I loved this character so much because she didn't care about all the other things that people may have seen or saw and thought was wrong with Sherman.
Those were the things she loved about him, and then on top of that she saw beyond that — how genuine of a man he is, how kind he is, a very good-hearted person and that's what she loves about him. The song is about 'it's what's inside that counts. AllMusic called it an "instant smash" and "impossibly catchy", adding that the, "public's appetite for Janet Jackson never wanes. Jackson in years," the song was thought to have "the feel and sound of a young, girlish, naive Janet singing a happy pop song about love as opposed to the hardened, sexually experimental Janet who emerged during the later Velvet Rope years.
It was examined to highlight "Janet's still-youthful vocal musings and a happy beat that will sound great roaring from the radio speakers while at the seaside, or driving down the streets with the windows wide open. The "smile-bearing throwback" was also thought to be "easygoing, fluffy", and "friendly", likening its upbeat aura to "the sand gently running beneath your toes".
The song's theme, which "testifies that in all the world, love makes the most difference in life", was acclaimed as "a nice statement for fans". It was predicted to "entice programmers and listeners across both the mainstream and rhythmic" radio, yet was thought to require "meatier mixes" for other formats. The Huffington Post regarded it as Jackson's best single aside from " Black Cat ", saying its "subliminal Asianness" aids Jackson's "pretty" voice in being "fragile like rice paper ", relating the song to Kyu Sakamoto 's hit " Sukiyaki ".
NME considered it a "comeback single" for the "pop queen". It peaked within the top fifteen of Norway, Sweden, Belgium, and the Netherlands, and among the top twenty in Switzerland.
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Upon its release, it became the most added song on pop, rhythmic, and urban formats, also added to Hot Adult Contemporary. The album sold over , copies in its first week and was later certified platinum , with over two million copies sold worldwide. Jackson described the video's concept, revealing "its just me hanging out with my friends and going to a club. She's not just doing what other people are doing, she's willing to go and try to create something new. In doing so, you're taking risks, taking chances, and some people might love it, others may hate hate it, period. The video was choreographed by Shawnette Heard and Marty Kudelka.
The clip is famous for its portrayal of futuristic technology and choreographed dance scenes set on a hovering platform. Jackson described the platform to be "like a ride," adding "it tilts, slants, you can slide off or fall. I was literally airborne, it was lifting me right up. The Klumps DVD as an extra feature. Due to being released through another label, it was not included on Jackson's From Janet to Damita Jo: The video was filmed during a turbulent period, in which Jackson was experiencing a divorce from unannounced husband Rene Elizondo, Jr.
Jackson recalled, "I was up in weight with 'Doesn't Really Matter. In January , Kahn recalled "Janet Jackson has a very charming way of going through her editorial process — she always goes "if you think it works," and she means it.
Doesn't Really Matter
That's awesome, she's freaking Janet Jackson. I studied Janet Jackson videos growing up. So to finally see myself face to face with her and working with her and her calling me on a first name basis and calling my home and tracking me down on my cell phone Even though she's talking to you and trying to be normal, she's not — she's Janet Jackson — and you can never get that out of your head. You realize that she's a real person and she's got just the same emotions as everyone else, but you can never get around the fact that she's special. Asia Pacific Arts considered it a "playful" video which steers away from the film to "focus [on] Janet and her fun, upbeat fantasy world of pet dog-bots and interactive dance floors.
It was also "happily free" of scenes from its accompanying film, saying the clip "stands on its own". Jackson opened the show in a black leather outfit in an aerial set among multiple backing dancers.
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It was considered among the best of Jackson's career by various publications. The official Roc Nation website considered it the third best performance in the show's history, saying "Flanked by her troop of dancers, the living legend moved effortlessly across the stage in as she executed her signature complex footwork to 'Doesn't Really Matter'" [58] The Orlando Sentinel stated Jackson made "a rare TV performance" featuring a "three-tiered set and 10 backing dancers". For the performance, she wore demure white tee and jeans. Canoe considered the tour's performance "upbeat and warm". The New York Times praised the performance saying "it's the closest she gets to representing life as lived rather than as performed".
Simpson revealed Jackson to be an influence, saying "I absolutely adore her and she is such a sweetheart. Cassie 's " Long Way 2 Go " uses a similar plot; opening with an aerial view, entering an apartment as the lead's friends arrive and are seen through a peephole, in which they perform choreography at a club. The video was one of the first music videos appearances by actress Jenna Dewan , who stated "I was fortunate enough to work with Janet who treats her dancers amazing," describing it as her most memorable video shoot.
The video's popularity saw the AIBO ERS robotic dog generate increased market demand and commercial success, after the "bionic beast got to snuggle up to Janet Jackson" in the clip. The vibrant "red and orange" outfits worn by Jackson, including "sugary pinks and orange tees", items from the Self Esteem line, and "designer duds right off the runway," were described to heighten demand for similar "bright colorful clothes". Japanese singer Hitomi Shimatani covered the song under the title " Papillon ". The song became the biggest hit of Shitamani's career at the time, and made her one of the biggest acts on the Avex Trax label.
The Klumps film score is heard several times throughout the film.