But still the superior Limmy's Show!

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Of course, those who don't live in Scotland can watch the show on iPlayer the day after transmission, or on Sky channel as it goes out live — but the issue is surely that the BBC is failing to help a strong series find its widest audience. Popular mainstream shows such as Miranda have their place, but there should also be room in the schedules for inventive oddities aimed at an appreciative minority.

Admittedly, it's to BBC Scotland's credit that it has allowed an auteur such as Limond to run wild with his singular vision. Other comedians must envy his freedom.

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But the BBC's failure to build on this success and network his show feels like a cowardly affront to fans of intelligent and distinctive comedy — not to mention one of its brightest comedy stars. Or maybe it has simply decided that no one will understand Limmy's accent. Yes, it's probably just that.

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Limmy's Show!: why is this fine comedy broadcast only in Scotland?

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Showing on or after: Showing on or before: We welcome your comments. Sketch is caught between these two worlds: The other half is a broader cultural embrace of sketch comedy—indeed, comedy itself—as a serious art form on par with film and narrative television. In the beginning was the proscenium. Kids was quickly joined by In Living Color , The State , and the short-lived The Ben Stiller Show in a growing crop of pre-taped sketch shows with the oddball sensibility that defines so much contemporary narrative comedy.

They generally found their own niches in cable networks, a trend that holds true today. Tompkins and Kaitlin Olson, lasted four. This stands in stark contrast to our current state of affairs, where pretty much every major network—even the History channel! The duo has since signed a script deal with Comedy Central based on the web series.

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Looking back over the last twenty years—and he is quick to clarify that innovation is identifiable only in hindsight—Pasternack cites two factors that gave way to our contemporary sketch climate: It was shot like a live multi-cam sketch show, but the writing and performance was very meta—it was self-referential, it presumed the audience was in on the joke, I think to a greater extent than more popular sketch at the time. I think the other big influence was the Lonely Island, who I think really revolutionized the way Saturday Night Live would do sketch.


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Even though there had been filmed pieces from the beginning—with people like Albert Brooks, Walter Williams, Tom Schiller—I really think the Lonely Island guys were the first digital short filmmakers the show really embraced. Such dot-connecting is a bit of a red herring, though—less because trends emerge in fits and spurts Mr. Show ended in ; Portlandia debuted in than because Mr.

It was a cult show at a time when, well, not everything was a cult show. This was a bit of a surprise to everyone involved; YouTube itself was still in its infancy, and NBC was less than pleased to see someone else profit from its viral success. Still, the lesson was self-evident to network execs and film students across the nation—there was a considerable audience for well-made, filmic sketch comedy.