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The story is about as bare-bones as it gets, as it features a little bunny saying goodnight to every object that he can see in his great green room, including the moon that hangs just outside his window. The stories of Richard Scarry have captivated multiple generations, and with good reason. This iconic book beautifully captures both elements. You can make a case for this being the best of the bunch. The Richard Scarry-esque characters are visually appealing and the background environment that they are in complements them very well.

It is an endearing tale that puts a focus on the importance of spending quality one-on-one time without the interferences of modern distractions. The title of this Crockett Johnson tale sums things up rather nicely: What makes this book a classic is that his flights of fancy are not necessarily flighty; Harold makes great effort in making sure his magical adventure is grounded in practicality, such as drawing landmarks to make sure he does not get lost along the way.

Yet if you push all of the attached philosophies aside, you are left with a lovely little book filled with simple illustrations and a basic story that touches on the joys of selflessness. She also can conjure up some mean pasta from her magic pasta pot.

It also reinforces how important the love and comfort that comes from family is at the end of the day. On the surface, this Mo Willems book looks like a classic tale of lost and found. The plot essentially revolves around toddler Trixie leaving the titular stuffed animal behind at the Laundromat, the efforts to communicate this with Dad, and the subsequent search, which is met with ultimately positive results. However, the story does a tremendous job of capturing the dynamic that so often exists between parent and child at the stage where the latter has not learned to speak, from the frustration that occurs on both ends to the joys of discovery.

It is a dynamic that is easily identifiable from both sides of the equation, and the emotions that are culled from such interaction are further heightened by the beautifully muted artwork. In a way, Ludwig Bemelmans first entry into what would become his Madeline series of books feels important to share with a child. Perhaps it is this way because of its Parisian setting. Maybe it is due to the artwork, which occasionally seems to subtly call back to some of the masters that were around when the City of Lights was the cultural epicenter of the world.

I think I can! The artwork of the book is unapologetically vintage; however, that is part of its charm — it is hard to imagine this story retrofitted to match a modern look. Yet as sweet as the illustrations are, the main reason that this book continues to charm is due to its timeless life lesson of building confidence and self-esteem. However, a parent would be remised in not introducing their children to the original version created by A.

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This collection of tales from Pooh, Piglet, Eeyore, and the rest of the gang is the second volume of stories and is notable for two things. Firstly, it introduces Tigger. Secondly, it teaches an important lesson of change, as the book concludes with the group bidding farewell to Christopher Robin as he leaves Hundred Acre Wood to go to school.

Self-doubt can be crippling even at an early age. The story follows Vashti, a young grade school artist that is convinced that she cannot draw.

Her teacher responds by encouraging her to simply make a dot and go from there. What follows is a tale filled with beautiful illustrations and self-discovery about what may be possible if a child simply tries. The best possible way to describe Little Golden Books is that they are sweet. The stories are also easy to read and are simply paced, which further add to their charm. It merely accounts the end of a pretty lousy day that Alexander had; one that involves getting gum in his hair, not having dessert in his lunch sack, a cavity at the dentist, and kissing on television. The cynical amongst us can point to this book and say that it is a perfect lesson that shows kids that not every day is going to be filled with rainbows, lollipops, and the sunshine.

The rest can just sit back and enjoy how it perfectly captures the spirit of a little boy that just wants to put a crummy day behind him, one rambling run-on sentence at a time. The book may make you want to plan a trip to Australia. The story itself is simple, as it involves a little boy waking up to the sight of an overnight snowfall, leading to a day filled with snow-angels, footprints, and a quest to save a snowball for future use.

The thing that makes this picture book so essential is its beautiful, painting-like illustrations. This essential anthology created by the award-winning artist Sylvia Long uses animals to frame these tales in a manner that bridges traditional sentiment with modern sensibilities, thus creating a visual element that is bright and comforting.

Quite simply, this Dr. Theodore Geisel aka Dr. Seuss created this story in as a reaction to early childhood literacy in the United States — specifically, books that were geared to be primers for kids to learn how to read. The result was a book that featured wildly inventive illustrations and simple story, both of which effortlessly evoked a sense of adventure. Last Stop on Market Street. Buy the Last Stop on Market Street. Go Away Big Green Monster.

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