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Make the information on this image better by adding what you know. About this image Publication Title: The Atlanta Constitution Content Source: Allen County Public Library State: These gatherings are not all documented to the same degree.

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Despite their frequency, the weekly meetings, which were traditionally held on Sundays, are the object of little attention: These meetings lasted about an hour, during which time the faithful listened to a sermon and shared a time of prayer. In Luxembourg, in any case, the rule of the Sodality of the Immaculate Conception appears categorical: Marian feasts and assemblies for meditation for their part constitute the primary object of attention, and are reported in great detail.

Above all, the information gathered from the archival sources can be cross-referenced with the musical sources, which can probably be linked to the Marian feasts and these devotional assemblies. Each sodality was responsible for organizing its own patronal feast, but it was not rare for other sodalities of the town to share in the rejoicing.

The celebrations followed a relatively similar program from one sodality to another, traditionally articulated in this way: In the afternoon, the members gathered for a period of preaching and prayer: Among the plethora of diverse details that surrounds the narration of these festivities, the litany set to music stands out as a central and almost indispensable element.

The archives mention it frequently and sometimes give information on the instrumental resources brought together to accompany the singing of the sodality members. In Antwerp, on the occasion of the feast of December 8, , for example, the singing of the litany was accompanied by two bass viols and a harpsichord, a musical arrangement which, as the annals make clear, intensified the devotion of the faithful. For the sodalities of Antwerp, one of such sources has been preserved: The group of pieces is set to music: This collection has the peculiarity of having been published as a musical supplement to the Thesaurus litaniarum ac orationum sacer also published in , but in this case by Velpius c.

This Thesaurus was the work of the Jesuit Thomas Sailly — who, in the same way as Coster or de Pretere, stood out as one of the principal promoters of the Marian sodalities. The organic link that unites the two publications the Thesaurus litaniarum and the musical collection is explicitly set down in the table of contents of the Thesaurus , which specifies that they are intended for Marian sodalities: Concentus musicus quattuor vocum quo septem Litaniae B.

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• The Marian Sodalities and their Establishment in the Belgian Provinces.

Saillii, in gratiam Sodalitatis eiusdem Virginis Matris Dei. In the Thesaurus , each chapter corresponds to a day of the week. For each of them, Sailly sets out a kind of devotional service with hymns, psalms, responsories, readings and meditations; each service concludes with the Litany of Our Lady, marked out by an engraving and an explicit reference to the musical supplement. The Litany of the Holy Name of Jesus, also present in the musical collection, is sung on two occasions during the week, on Sundays and Tuesdays; the Magnificat is sung on Tuesdays, and the Stabat Mater on Fridays—the use of the two motets In omni tribulatione and Peccantem me quotidie is not indicated in the volume.

Regarding the data gathered from the archival sources, it seems that the collection of sets out a repertoire of a more festive nature that could be performed on Marian feasts and their octaves; furthermore, the presence of litanies for double choir and contrapuntal motets seem to provide confirmation that they were destined for occasions that were out of the ordinary. In reality, this Antwerp collection does not constitute an isolated example, but finds its place among a vast body of similar works. Indeed, it shares a clear common lineage with another collection also coming from a Jesuit environment: The recognition of a direct dependence between these collections from Antwerp and Paris allows one to hypothesize the existence of a network of similar musical publications conceived specifically for the Jesuit Marian sodalities.

Berg, —in particular makes it immediately possible to broaden the horizon of the production and circulation of the repertoire of litanies destined specifically for the Marian sodalities. Fabien Guilloux and I have recently established an initial list of collections of litanies set to music published during the last decades of the sixteenth century, which situates the collections explicitly dedicated to the sodalities within the context of the more extensive production of the general repertoire. As pastoral and spiritual endeavors, the Marian sodalities multiplied public displays of devotion for the sake of increasing the piety of the people.

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The fact that the meditation assemblies organized during Lent are particularly well documented in the archives implies that they were the object of particular attention on the part of the Jesuits. The faithful were invited to gather together at defined times—for example, in Bruges the assemblies took place on Sundays, Wednesdays, and Fridays 49 —to meditate on an episode of the passion of Christ.

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