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But a big problem with this story is that they don't seem to have realized that yet.

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Instead, they "talked about the same things we talked about at the age of ten, or fifteen, or twenty" and see it as "the hand of God" when the Bee Gees' Stayin' Alive comes on the car radio and, of course, immediately wail the chorus in unison This oddly nostalgic work is a teen novel in every respect , populated by stunningly immature adults -- first and foremost the obnoxiously petulant and self-involved narrator, Garance. The novel begins with Garance's brother, Simon, picking her up for the drive to a wedding; Simon's wife, Carine, is also along for the ride -- and pedantic, uptight Corine is a big thorn in Garance's side.

Acting like the spoiled kid she obviously still is, Garance does her best to grate and irritate the reader, as much as Carine ; it's a surprise she doesn't spend the trip kicking the back of Carine's seat. Garance complains that Carine is: She has a point -- Carine is portrayed as an absolutely horrible woman -- but unfortunately Garance is just as judgmental, and just as obnoxious, just in a different way.

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They make a detour to pick up yet another sibling, sister Lola, and then when they arrive at the wedding the three siblings decide they've had enough and they just flee -- to seek out the fourth musketeer, Vincent. Simon does kindly leave a note to Carine on the back of a beer coaster and dumps her stuff in front of another car though they thoughtfully do come back to deposit her vanity case, which they initially had forgotten about.

When all four kids are reunited there they of course have a blast, reliving old times, going to a local wedding and partying into the night: It was all so picturesque. I can put it better than that, and less condescendingly: Half road-trip novel, have clique-novel the clique being the siblings, who really don't take to outsiders -- Lola's marriage is over, Simon and Carine seem ill-matched , French Leave is entirely adolescent.

The kids Lola's and Simon's are entirely out of the picture, barely even coming up in conversation: No wonder one of Vincent's helpers, Nono, asks about both Lola and Garance: Lola's foray into adulthood ended in a messy divorce, and Simon's marriage -- with his handle-with-care wife -- is hardly anything anyone would want to imitate: Early on, when Lola joins the ride, Garance takes a break from her rapid-fire narration and commentary: Then we swapped sister stories.

I'll skip that scene. We have too many codes, shortcuts and grunts. Besides, without the soundtrack, it's meaningless. Unfortunately she doesn't see that the rest of her narrative actually isn't much different: They're a pathetic bunch of junior high school kids, nothing more, all codes and giggles and grunts and soundtracks -- all of which is meant to exclude others and the real, adult world.

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Okay, Gavalda does give Garance a lively if also grating voice -- though it's more like that of a clever, short-attention-span twelve-year-old well, the twelve-year-olds of contemporary film and TV than a woman in her thirties. There's even an underdeveloped explanation of what and where things went wrong -- and you guessed it, of course, that it's like Philip Larkin always said, it's mum and dad that fucked 'em up and good: Because they're the ones who taught us about books and music. Who talked to us about other things and forced us to see things in a different light.

To aim higher and farther. But they also forgot to give us confidence, because they thought that it would just come naturally.


  • Spade, Seed & Supper;
  • Stuff You Missed in History Class: A Guide to Historys Biggest Myths, Mysteries, and Marvels;
  • Sign Posts Vol. IV A Collection of Essays (Sign Posts: A Collection of Essays Book 4).
  • French Leave.

Maybe she should keep writing short stories instead of novella. By the way, her taste of music is great. Ca parlera sans doute plus aux fratries. Solenne rated it did not like it May 31, Celine rated it did not like it Jan 09, Anne-laure rated it did not like it Jun 01, Elea rated it did not like it Jan 06, Jaqueline Cassemiro rated it did not like it Dec 30, Ecaterina Stirba rated it did not like it Feb 15, Moira rated it did not like it Oct 14, Dagmara rated it did not like it Aug 09, Jana rated it did not like it May 30, Athina rated it did not like it Jul 27, Elahe rated it did not like it Mar 21, There are no discussion topics on this book yet.

Anna Gavalda is a French teacher and award-winning novelist. Referred to by Voici magazine as "a distant descendant of Dorothy Parker", Anna Gavalda was born in an upper-class suburb of Paris. While working as French teacher in high school, a collection of her short stories was first published in under the title "Je voudrais que quelqu'un m'attende quelque part" that met with both critical acc Anna Gavalda is a French teacher and award-winning novelist.

French leave

While working as French teacher in high school, a collection of her short stories was first published in under the title "Je voudrais que quelqu'un m'attende quelque part" that met with both critical acclaim and commercial success, selling more than three-quarters of a million copies in her native France and winning the "Grand Prix RTL-Lire. Inspired by the failure of her own marriage, it too was a major literary success and a bestseller and was followed by the short 96 pages juvenile novel 35 kilos d'espoir 95 Pounds of Hope that she said she wrote "to pay tribute to those of my students who were dunces in school but otherwise fantastic people".

In , her third novel, "Ensemble c'est tout," focused on the lives of four people living in an apartment house: The page book is a bestseller in France and has been translated into English as Hunting and Gathering. As of , her three books have sold more than 3 million copies in France. Divorced, and the mother of two, Gavalda lives in the city of Melun, Seine-et-Marne, about 50 km southeast of Paris. In addition to writing novels, she also contributes to Elle magazine. Books by Anna Gavalda. No trivia or quizzes yet. Quotes from Breaking Away. How often will life give us the chance to play hooky?

To thumb our noises at it? Or make our little honorarium on the side?


  1. Magellan (Les Cahiers Rouges) (French Edition)?
  2. Monster Hunter Vendetta (Monster Hunters International Book 2).
  3. See a Problem?.
  4. When will we lose one another and in what way will the ties be stretched beyond repair? How much longer until we become too old? And I know we were all aware of this.

    Anna Gavalda

    I know what we're like. We're too shy to talk about it, but at that precise moment on our journey, we knew. Combien de permissions la vie nous accorderait-elle encore? Combien de pieds de nez?

    Anna Gavalda: L’échappée belle – Breaking Away/French Leave () | Beauty is a Sleeping Cat

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