La littérature espagnole au Siècle dor (Lettres) (French Edition)

How did they evolve over the course of the century? Well before the abolition des corporations du livre in , women played diverse and often contested but continual roles in the editing, printing and diffusion of print. Proposals for this session may address any aspect of the publishing practices and editorial conventions and innovations that shaped the world of books in the 17 th century. Proposals might, alternatively, address editorial strategies in an expanding marketplace for books represented by the Galerie du Palais but also notable for its geographic reach across France and Europe , the business models and publishing activities of a new kind of libraire as cultural mediator removed from the print-shop and attuned to consumer demand, and related typographic developments such as the triumph of small formats, new marketing categories eg.

This panel aims to explore the status and practices of the editors, authors and readers of seventeenth-century periodicals in French. How did editors and authors interact and collaborate with one another? Concerning the readers of the periodical press, what do we know about how the publications reached them and how they circulated? Participants in this session are invited to broach the subject from multiple perspectives, including: From a point of view that seeks to go beyond the issue of an antagonism between text and performance or a study of the different states of a same play, the book trade will appear to be a complex site for the fabrication, the practice, and the commerce of theater art.

The percentage of religious works saw consistent growth in the France of the 17 th century, at one point amounting to half of all printed production. The heterogeneity of this corpus is evidently significant: Bibles, liturgical books, works on patrologyand theology positive or speculative , hagiographies, books of devotion, and spiritual literature, etc.

We will focus on the editorial division of labor in the publication of religious books. What place do the main religious orders and their strategies hold in the landscape of the book trade?

How do the intra-Catholic polemics with special attention to the links with the Jansenist crisis or the controversies with the Huguenot community tie in with publication decisions? What are the processes of ideological filtration and the ways of overcoming them? What linguistic choices are present, between the place of Latin and the growth in French translations? Attention to the materiality of the book, its elaboration, and modes of diffusion is one manner through which to find back the big religious issues that are at play throughout that century.

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The 17 th century marks at once the apogee of the humanistic model of the library established over the two previous centuries, and the beginning of a reconsideration of the fields of knowledge on which it rested. At the heart of this tension, three major lines of reflection can be proposed in order to better understand the meanings thus accorded to the act of gathering intellectual and editorial production in the form of a collection:. The 17 th century is far from being a world without manuscripts, where the printed page triumphantly swept everything else aside.

On the contrary, the practice of the manuscript was alive, well, and polymorphous. Moureau — or bearing witness to the more or less individual working practices of authors when it comes to states of texts within the sphere of literary creation, the manuscript of the 17 th century can refer to a multiplicity of objectsand writing practices. Therefore, a precise and patient study is needed to determine its status and meaning,especially given that, as J.

Chatelain has shown, a catalogue vital for scholarship on the manuscript is still lacking for France cf. This session, devoted to the manuscript and all its forms and meanings, aims to contribute to this study, particularly in a context where the online publication of digitized manuscripts by libraries makes them more accessible and a priori easier to interpret. We thus invite proposals that present case studies or comparativeor methodological analyses that consider the manuscript to be a significant object.

Attention to lesser-known archives of writers will be particularly appreciated. In light of the great diversity of editorial production, this session proposes to take stock of the illustrated book in the 17 th century, endeavoring to integrate different approaches. The illustrated book, where the text is reconfigured and changes status, is situated at the crossroads of cultural fields aesthetic, technical, economic, sociological… which, in bestowing upon it a certain specificity, also impose constraints, submit it to potentially contradictory criteria, and alter its value.

The bookshop is a place where booksellers, authors and readers met; talking not only about literary life, but also about current events, politics, and religion. The representation of the book trade fulfills different functions, whether it is a question of enhancing effects of realism by the description of familiar places, opening new horizons through interwoven discussions and stories, or yet of performing a literary satire by listing a catalogue of sold works.

The focus of this panel will thus be to explore the forms and meanings of fictional representations of the bookshop and of publishing. From books that are lost, forgotten, re- found, to books that are longed for or dreamt of, to those that are criticized, defended, censured, or burnt, the examples are innumerable. But what is the status of the book in the imagination of the era and how is it manifested?

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This session will investigate the diverse forms that books take when they are depicted by writers in their texts, as well as the meanings of these representations. It will equally explore the relationships, real or fictional, between the author, the reader, or the character, and the book. In what ways and contexts are these links manifested within the texts, and what do they tell us? The panel will consider the perception, figuration, and representation of the book in literary texts of the 17 th century, and explore the practices of reading and writing associated with them.

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