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English Choose a language for shopping. Amazon Music Stream millions of songs. Amazon Advertising Find, attract, and engage customers. The voice-over eventually clarifies that. The year the accident occurred at Fukushima every nuclear power plants had to be shut down These tireless time slips are emphasised by the fact that, by the time this article was written any event described, although fictionalised, was already part of the past: Shut down all the nuclear power plants at once.
These are the words of his Majesty The implications of this statement are remarkable: Moreover, a critical note can be addressed to the lack of responsibility by the people in charge: He managed to reach German capital city, although without his luggage. Too late for the protagonist who could not even hope for the flight service to Okinawa, still a mirage. Fushi no shima impersonates the island of the eternal life for real.
The result is, again, a disorientating and defamiliarising feeling perceived in the reading. Tawada turns the table again: But every cloud has a silver lining: The aim of such games seems to be slaughtering all the souls, but they show up one after another tirelessly: Victory belongs to those who believe, to those who fight until the very end: Japan has surrendered, the Land of the Rising Sun gave up to the choice of adopting nuclear energy for civic purposes, ignoring — or forgetting — the nuclear-linked past of Hiroshima and Nagasaki atomic bombings.
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The decision to put on stage a dystopian story points out the repercussion of the nuclear accident at Fukushima Daiichi in the long period: In the novel Fushi no shima Tawada imagined herself six years after the disaster: Tawada does not wait to drop a hint to the protagonist: Japan is an isolated country with almost no access to the Web.
But at least, if the country is isolated, the risk that Japanese business takes advantage of the poverty of other countries decreases. So Japan is in crisis: Moreover, the matrix of these problems is not national but supra-national because it is not unfamiliar to the social and political situation of many countries besides Japan. The escamotage of the dystopian device adopted by Tawada as an expedient to denounce real problems of our days highlights two features of her narrative: In this regards a positive and a negative remark should be done: The forthcoming Japan portrayed by the author has its pluses and minuses but both underline a change termed as an involution rather than an evolution: