Paul McGrath as Macey. Kay Medford as First Mrs. Alexander Kirkland as Jim Collier. Marshall Neilan as Sen. Big Jeff Bess as Sheriff Hosmer. Henry Sharp as Abe Steiner. Willie Feibel as 1st Printer. Larry Casazza as 2nd Printer.
Faye Emerson as Herself. Betty Furness as Herself. Virginia Graham as Herself.
A Face in the Crowd
Burl Ives as Himself. John Cameron Swayze as Himself. Mike Wallace as Himself. Walter Winchell as Himself. Sandra Wirth as baton twirler. Kim Chan as Radio Announcer. Jan 26, Full Review…. May 20, Rating: Jan 1, Full Review….
Mar 22, Full Review…. Aug 3, Rating: Jul 10, Rating: Apr 8, Rating: Nov 29, Rating: Nov 1, Rating: May 15, Rating: Next time you feel like you're getting fooled again by a demagogue, rent this movie and get centered May 13, Rating: View All Critic Reviews He then promises to get a divorce in Juarez, Mexico and returns married to a year-old drum majorette Lee Remick.
Ultimately, Rhodes' ascent into fame and arrogance begins to turn on him. DePalma has an affair with Rhodes' young wife; Rhodes dumps her, but cannot get out of his business arrangement with DePalma, who threatens to reveal Rhodes' own secrets. Seeking solace, Rhodes pays a night visit to Jeffries' apartment.
She hides her feelings of repulsion from him, but gets away from his presence as quickly as she can, in the pouring rain, and catching a taxi. She later visits the set of his television show, and activates a live microphone over the ending credits that, unbeknownst to Rhodes, broadcasts him mocking Fuller and going on a vitriolic rant about the stupidity of his TV audience, calling them "idiots", "guinea pigs", and "trained seals".
Unaware that his words have gone out over the airwaves eliciting many angry calls to local television stations and the network, Rhodes departs the television studio in a jovial mood and prophetically tells the elevator operator that he is going "all the way down". As the elevator numbers go down to 0, his popularity is plummeting as well. DePalma is already meeting with a young entertainer who could become Rhodes' replacement.
Rhodes arrives at his penthouse, where he was scheduled to address the nation's business and political elite at a dinner party, but none of his guests show up, leaving Rhodes alone in an empty room with the African American butlers and servers, who don't respond to his demands on being loved, and are therefore all dismissed. Rhodes calls the studio and Jeffries, with Miller holding the phone, listens to him rant as he threatens to jump to his death from the penthouse.
Jeffries, who has been silent, grabs the phone and screams at Rhodes to jump, and to get out of her, and everybody's, life. Miller angrily dares Jeffries to face Rhodes and tell him the whole truth. They go to Rhodes' penthouse and find Rhodes drunk and disconnected from reality. He shouts folksy platitudes and sings at the top of his lungs while his longtime flunky Beanie Rod Brasfield works an applause machine—Rhodes' own invention—to replace the cheers, applause, and laughter of the audience that has abandoned him.
When he vows revenge on the TV studio's engineer, Jeffries admits it was she who betrayed him. She demands he never call her again, and Miller tells Rhodes that life as he knew it is over, and delivers to Rhodes his career coda: Rhodes is not really destroyed at all.
- Candle On The Water.
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- A Face in the Crowd () - IMDb;
Both the public's and the network's need for Rhodes, will, "after a reasonable cooling off period" of remorse and contrition, he predicts, return Rhodes to the public eye, but never to his previous height of power and success. Rhodes ends up screaming from the window of his penthouse for Marcia Jeffries to come back as she leaves in a taxi with Miller, who assures her that Rhodes won't kill himself, as the film ends, a neon light flashes a Coca-Cola sign off and on, indicating that life goes on, while Lonesome Rhodes screams his head off.
Contemporary newspapers reported an early trip by Kazan to Sarasota, Florida to confer with Schulberg. Kazan and Schulberg spent much of July and August in Memphis and in Arkansas, [4] and Patricia Neal's involvement would be announced by early August. Both Griffith and Lee Remick made their film debuts in Face. The most involved location shoot was in Piggott, Arkansas the fair and baton-twirling competition scenes.
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Now the serial-killer knows that Anna has seen his face, but she is incapable of even recognizing Bryce and her close friends. OK, the idea of the movie was quite lovely, didn't expect it, never seen it before therefore I'll have to start with some praises but end it with less enthusiasm sadly. The movie flows nicely, we learn more about Anna's condition, some tension building up, we start to suspect one or the other and then, well it becomes quite clear who the killer is. And from that point on, of course, things aren't that interesting anymore considering the fact that the thrill kinda lost its touch.
Nevertheless, overall, it is a nice breath of fresh air really, trust me you can do a whole lot worse than this one, just keep in mind it's not really a horror, more of a thriller with some horror elements incorporated but few at number. You can call these 2 movies, step sisters to be honest, in my opinion, the Spanish one wins tho! So, don't waste more time, try it out, try both of them out, nice adder to the gender! Start your free trial. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet!
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A Face In The Crowd Is the Political Nightmare That Took 50 Years to Come True : Trunkworthy
A horror-thriller centered on a woman living with "face-blindness" after surviving a serial killer's attack. As she lives with her condition, one in which facial features change each time she loses sight of them, the killer closes in. Related News 89th Academy Awards. Share this Rating Title: Faces in the Crowd 5. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Learn more More Like This. Bringing Up Bobby