It is an image that seems to be equally celebrated and mocked for its blunt message and skillful yet clumsy aesthetic approach. For his Repainting Benson affected the source image by enlarging it considerably, by combining effects from different warped and faded versions of the print, and by fading out two corners of the image. The image, by an unknown illustrator, shows a closely framed rosy-cheeked Santa catching snowflakes with his glistening Santa tongue.
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For his Repainting Benson depicted the Santa illustration with precise commitment to the original style and palette of the source but instead of a full-bleed the borders of the image have been painted to appear specifically shaped. The resulting shape mimics a cutout snowflake, but with bilateral symmetry rather than radial, and also suggests the silhouette of a hanging ornament or of a Weihnachtspyramide.
The specific shaping of the edges is open to interpretation but intentionally contains references to, among other things, razor blades, fighter jets, grenades, and the eagle design from the Great Seal of the United States. The poster shows a rendering of a public park with baseball fields in Orange County painted by Laguna Beach based illustrator Michael Bryan. Bryan is internationally known for flashy imagery of the aircraft, cowboy, showgirl, sports, and sports car variety, and for his work with corporate entities such as BMW, In-N-Out Burger, and the Olympics.
The technique Benson employed in the making of these Repaintings mimics the transparency, puddling, and dripping effects in the original watercolor as well as the faded quality of the old printed poster. For these works Benson rendered not just the illustrated imagery of the park, but also the graphic text and corporate sponsorship logotype that accompanies the imagery on the poster.
The scene shows little figures running around and enjoying Bob Henry Park, a prototypical Southern California park model in Newport Beach. Bob Henry Park is named for a police officer killed in the line of duty in Of the alterations to the space the most significant will be a ceiling installation work titled Chief Executive Officer.
Jesse Benson at Michael Benevento (Contemporary Art Daily)
The work, composed of a single line of acoustic office ceiling tiles with embedded fluorescent lights, is designed to be installed from the ceiling against the wall directly above the running installation of Repaintings In that way Chief Executive Officer functions as an active document like an architectural remnant, or like a Repainting.
For the purposes of the exhibition the regular circular flow of traffic between the galleries will be restricted by temporary construction that will compartmentalize the viewing experience and define movement with designed breaks between rooms and emphasized transitional spaces. In contrast to the Repaintings , these works by Benson appropriate a photographic canonical artwork and exist as a finite body.
They show a closely cropped wall scene with two calendars in the same design template, both printed for a hardware store. One is themed with topless female pinups and the other with Catholic imagery.
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Lonidier used the photographs of the two calendars within the design of a printed calendar-like object. SVU season 20 episode 7: Sasha Alexander to appear". Retrieved October 21, TV by the Numbers. Retrieved September 28, Retrieved October 5, Retrieved October 12, Retrieved October 19, Retrieved October 26, Retrieved November 2, Retrieved November 9, Retrieved November 16, Retrieved December 3, Retrieved October 10, Donald Cragen Olivia Benson.
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Views Read Edit View history. This page was last edited on 15 December , at By using this site, you agree to the Terms of Use and Privacy Policy. Season 20 promotional poster. The Special Victims Unit are called in after a fifteen year old boy is sexually assaulted.
The Revenge of Jesse Benson
Despite having evidence, he is too scared to name his attacker, making things complicated for the detectives. When the identity of the attacker is discovered, the detectives do their best to protect the teenager from being abused again. Meanwhile, Rollins talks things through with her ex-boyfriend who cheated on her with an escort and also confides in Benson that she is pregnant for a second time.
Benson expresses concern to Tutuola that she is not as strong or fast as she used to be.
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The case involving a teenager who was sexually assaulted continues and Stone takes the rapist to court. However, an unexpected verdict comes back, shocking everyone involved. The victim ends up making a tragic decision which results in several people dead and injured and the Special Victims Unit must charge the victim. An upset Stone along with the rest of the squad decide to try their best to charge the boy's rapist as well in order to get justice for all the victims who were killed or injured in the attack.
Jesse Benson at Michael Benevento
Meanwhile, Rollins starts having doubts about her pregnancy. A nine year old girl is taken from her mother at the US Mexico border and ends up in a child sex trafficking ring in New York, which quickly comes to the attention of the Special Victims Unit. Benson and Stone try their hardest to reunite the girl with her family within the court system but meet many obstacles. Eventually, Stone decides to ask for help from an old friend. Meanwhile, Rollins decides to give her rocky relationship with Pollack another chance. The Special Victims Unit is called in after a seemingly random young couple is brutally assaulted by a masked pizza delivery man in their apartment.
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The detectives soon realise they are dealing with a serial rapist when another couple is assaulted. Eventually, the detectives discover a complicated and twisted revenge plot relating to the past history of one of the victims and the rapist, explaining what could have caused someone to attack her and several others. The Special Victims Unit is called in to investigate the sexual assault of a young homeless woman.
The squad soon realize that the woman has a dual personality which makes things complicated.