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On the farm he read adventure books, histories, and biographies. He learned to shoot and he rode a horse named Sunday, thus, the title for his third book of poems. Because he lived his entire adult life in cities or just outside them, the landscape of Western Massachusetts always remained an important touchstone like the Heaney cattle farm in Derry or the Roethke greenhouse in Michigan. The Lux-icon has many vivid expressions and affectionate names for things.


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These appellations were never meant to be insulting; he was always enormously grateful to his publishers and editors and wrote one of his best elegies to Peter Davison, his longtime editor at Houghton Mifflin and The Atlantic. Nicknames were part of the fun that made it easy to be around him.

The Greatness of Thomas Lux: A Look2 Essay | Ploughshares

One thing he did not care for when his name was used professionally was being referred to as Tom Lux rather than Thomas Lux. When I asked him what Lux was like as a college student, he told me: He looked vaguely like a hobo in dress and manner, but he stayed on. There was a freshness and openness about him, and he spread his enthusiasms to others. Before we knew it, we had a serious poetry group at our college. Lux then spent a year studying at Iowa before coming back to teach for several years at Emerson.

He also served as an advisory editor to Ploughshares and guest-edited three issues. The list of those he continued to mentor is huge as well. Sometimes I think our Thomas was an angel of some kind, but he was not a saint. He had a temper when people were rude to others, especially to working people. I was thrilled when he got mad like that. But he was cool without knowing it—as truly cool people never know how cool they are. I can recount again how the first night we hung out together in , we met up with Franz Wright, whom he had taught at Oberlin, at the Bow and Arrow in Cambridge, a true dive bar.

In the early pictures, such as the one on the cover of Sunday , you can see a little smirk of skepticism there too. That was the smile that scared people who were full of shit. Later, the smile became broader, gentler, without hesitation, and had a contagious quality for those around him. He could also be fiercely critical concerning poets of needless or pedantic obscurity and their use of the kinds of abstractions and allusions that make readers feel bad about themselves, the writers who struck their knowledge like a club against the audience. Instead, he loved to find the historical detail that told a story: Believers by Al Young.

The Passage of Time by Sue Miller. Borderlands by Russell Banks. Tribes by James Welch.

Series by cover

Regrets Only by David Daniel. Everyday Seductions by Gary Soto. Living Rooms by Ann Beattie. Stories and Poems by Tim O'Brien. Poems and Stories by Marilyn Hacker. Fiction Issue by Richard Ford. Stories and Poems by Ellen Bryant Voigt.

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Fiction Issue by Mary Gordon. Stories and Poems by Jane Shore. Stories and Poems by Stuart Dybek. Stories and Poems by Thomas Lux. Stories and Poems by Mark Doty.

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Fiction Issue by Charles Baxter. Stories and Poems by Madison Smartt Bell.

The Greatness of Thomas Lux: A Look2 Essay

Stories and Poems by Magazine. Fiction Issue by Gish Jen. Stories and Poems by Sherman Alexie. Ploughshares, at Emerson College, Winter , Vol. Ploughshares at Emerson College Spring Vol. Ploughshares, Winter , Volume 28, No.

"West Shining Tree" and a Collection of Poems by Thomas Lux

Ploughshares Spring by Carl Phillips. Ploughshares Fall , Vol. Ploughshares Spring Vol. Ploughshares Winter by Joy Harjo. Water Towers on City Buildings. Looking for Father in My Reflection.


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A Version of Happiness. A Minor Riot at the Mint. At the Headstone for Hart Crane. Wislawa Szymborska , Joanna Trzeciak. Children of Our Era. Editor Profile Stuart Dischell. David Gewanter, Zacharis Award. Editor's Shelf George Garrett.

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Dogfight and Other Stories by Michael Knight. Below Cold Mountain by Joseph Stroud. City of a Hundred Fires by Richard Blanco. Tomcat in Love by Tim O'Brien. The Snow Watcher by Chase Twichell. What the Twilight Says by Derek Walcott.