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How could American audiences, after tasting real horror, want to consume images of violence on screen? The contributors analyze recent trends in the horror genre, including the rise of 'torture porn, ' the big-budget remakes of classic horror films, the reinvention of traditional monsters such as vampires and zombies, and a new awareness of visual technologies as sites of horror in themselves.
The essays examine the allegorical role that the horror film has held in the last ten years, and the ways that it has been translating and reinterpreting the discourses and images of terror into its own cinematic language. Hardcover , pages.
Project MUSE - Horror after 9/11
Published November 1st by University of Texas Press. To see what your friends thought of this book, please sign up. Lists with This Book. This book is not yet featured on Listopia. Nov 20, Blake Frederick rated it really liked it. Way too much academic hedging for my taste and a lot of say-nothing pages, but the essays on Cloverfield were good. Sep 22, Jessrawk rated it liked it Shelves: Overall, it's an okay read.
Although, don't expect most of the essays to stick to the theme, at all, or even touch on it. Watch out for the ham-fisted ones where they try to cram oblique films into their thesis.
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Horror After 9/11: World of Fear, Cinema of Terror
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Physical Description vi, p.
University of Texas Press, Language English View all editions Prev Next edition 2 of 3. Subjects Horror films -- History and criticism. Terror in motion pictures.
In this Book
September 11 Terrorist Attacks, -- Influence. Black screens, lost bodies: Rob Zombie, George W. Includes bibliographical references, filmography and index.
- Horror After 9/ World of Fear, Cinema of Terror by Aviva Briefel.
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