The Oxford Handbook of the Georgian Theatre Meeting Without Knowing It. The Victorian Novel and the Space of Art.
Get A Copy
Travel Writing, Visual Culture, and Form, Mediating Identities in Eighteenth-Century England. Women Wanderers and the Writing of Mobility, — Irish Cultures of Travel. Romanticism and the Museum. Tourism, Land and Landscape in Ireland.
Join Kobo & start eReading today
Irish Literature Since Women's Romantic Theatre and Drama. Romanticism and Blackwood's Magazine. A Room of His Own. How to write a great review. The review must be at least 50 characters long. The title should be at least 4 characters long. Your display name should be at least 2 characters long. At Kobo, we try to ensure that published reviews do not contain rude or profane language, spoilers, or any of our reviewer's personal information.
You submitted the following rating and review. We'll publish them on our site once we've reviewed them. Item s unavailable for purchase. Please review your cart. You can remove the unavailable item s now or we'll automatically remove it at Checkout. Continue shopping Checkout Continue shopping. Chi ama i libri sceglie Kobo e inMondadori. Available in Russia Shop from Russia to buy this item.
- The Cambridge Companion to Utopian Literature - Google Книги?
- Go Raw In 30 Days;
- Strategic Career Management: Developing Your Talent (The HR Series).
- The Cambridge Companion to Literature and Religion.
- Sarò la tua geisha - Sperling Privé (Italian Edition).
Or, get it for Kobo Super Points! Ratings and Reviews 0 0 star ratings 0 reviews. Overall rating No ratings yet 0. How to write a great review Do Say what you liked best and least Describe the author's style Explain the rating you gave Don't Use rude and profane language Include any personal information Mention spoilers or the book's price Recap the plot. Close Report a review At Kobo, we try to ensure that published reviews do not contain rude or profane language, spoilers, or any of our reviewer's personal information.
Would you like us to take another look at this review? No, cancel Yes, report it Thanks!
List of Cambridge Companions to Literature and Classics - Wikipedia
You've successfully reported this review. We appreciate your feedback. Detection in the Victorian novel. Sensation and the fantastic in the Victorian novel. Intellectual debate in the Victorian novel religion science and the professional.
Dickens Melville and a tale of two countries. Guide to further reading. Call the death by any name Your Highness will, attribute it to whom you will, or say it might have been prevented how you will, it is the same death eternally — inborn, inbred, engendered in the corrupted humours of the vicious body itself, and that There are no annals for the historian ; no follies beyond the most vulgar and commonplace for the satirist; no manners for the dramatist ; no obscure fictions for the writer of romance ; no gross and hardy offences against decorum for the moralist ; nor any of the rich artificial auxiliaries of poetry.
The arrangement of his wholesale warehouse, so that it might be always ready to meet the demands of retail dealers - history here, geography there, astronomy to the right, political economy to the left - natural history, the physical sciences, figures, music, the lower mathematics, and what not, all in their several places Many a man would have even blazoned such irregularities as I was guilty of; but from the high views that I had set before me, I regarded and hid them with an almost morbid sense of shame.
It was thus rather the exacting nature of my aspirations than any particular degradation in my faults, that made me what I was and, with even a deeper trench than in the majority of men, severed in me those provinces of good and ill which divide and compound The mirror is doubtless defective; the outlines will sometimes be disturbed, the reflection faint or confused; but I feel as much bound to tell you as precisely as I can what that reflection is, as if I were in the witnessbox narrating my experience on oath.
The task approached in tenderness and faith is to hold up unquestioningly, without choice and without fear, the rescued fragment before all eyes in the light of a sincere mood. The Victorian Tradition and the Contemporary