She tells him he may not, and he says "So you refuse to make a statement? He tells her that perhaps she'd be more comfortable with an attorney present. Bree is angered, and tells him she'll give him a statement. She sits down and Barton holds up the recording device, turning it on. I loved him very deeply. And your mother did a lousy job! Phyllis is seen the next morning coming down the stairs of Bree's house, looking as though she's just woken up, without much focus. As she heads towards the kitchen, Bree sneaks up from behind the stairs and then takes them to go the upper floor.
As Phyllis fills up a mug with coffee, Bree, in her mother-in-law's bedroom upstairs, takes out her clothes from the closet, as well as a travelling bag. Phyllis then comes out of the kitchen, with the coffee mug in one hand, and a piece of bread with cheese, which bites off of, on the other hand. She is surprised with what she sees: Bree gives her a cold smile. Phyllis asks what's going on. The next shot is that of a taxi's trunk containing said luggage being closed by its driver, and Bree taking Phyllis by the arm to the cab. She tells Bree not to rush her as she is an old woman.
Phyllis gets inside the car, and Bree quickly closes the door. She then turns to the cab driver and tells him to get her out of here. As he drives away, Phyllis sticks her head out of the car and yells at her that she wouldn't be acting that way if she didn't feel guilty about something. Bree just smiles and waves at her mother-in-law, and then that smile disappears and she throws her hand down, filled with disdain.
In the prison's visiting room, Gabrielle is working on her nails when Carlos comes in, accompanied by guards. When he sits down, she hands him a card and he asks what is the occasion. She reminds him that it's their anniversary, and he says "Oh, right. He asks her what the big deal is, since their marriage was a sham anyway. Gabrielle tells him they're not doing this again. Carlos replies that in real marriages wives are faithful, and she says that in those marriages husbands remember anniversaries, so they're even. He asks her if she is equating forgetting their anniversary with cheating on him, and she becomes angry and points out that he is clearly determined to ruin that special day.
He asks her what is wrong with her that she doesn't feel guilty. She tells him she feels tons of guilt, so he should just back off, and he claims she never even apologised, to which she replies that she apologised a million times, to which he adds that she always followed up her apologies with an excuse, such as "I was lonely", "You weren't home enough" and "A woman needs to be loved". She states that a woman does need to be loved. And since he didn't give it to her, she had to find it elsewhere. Matthew admires the gift Carlos unknowingly gave his wife.
Carlos says "So that's what the teenager was doing in our bedroom: Not as a trophy or as a possession, but for me. Carlos won't give up on his smile, and a spiteful Gabrielle says "Let me count the way: The guard approaches them and asks if there's a problem there. Carlos quiets down, and Gabby says to the guard: We're just reliving the good times. She parks in her driveway and Matthew Applewhite , carrying a hose, comes up to her and tells her that's an amazing car.
Gabrielle says it was an anniversary gift from her husband. As she walks away, Matthew tells her Carlos is very generous, to which she quietly replies, with a snarky smile, "More than he knows. At her house, Susan takes off her cap and says "I'm sorry, what? Julie asks her mom if there's a problem with her and Edie being an act. Susan tells her no, but then says that she's a little surprised Julie didn't ask her to accompany her first.
Julie asks what she could accompany her with, as she doesn't play an instrument. Susan claims that she plays the piano, and that Julie knows that.
Julie asks her how she could possibly know if she's never seen her playing. Susan explains to her that she played in high school, and Julie jokes that therefore the last time she "tickled the ivories" was in the late '70s. Susan corrects her, saying it was the early '80s, and Julie smiles. Her mom then says she's not gonna argue with her, and that if she wants to do the show with Edie, she can, which is fine by her. She then gets up to leave, but turns back around and asks Julie if Edie's really good. Her daughter says she knows her guitar. She adds that apparently there were a lot of musicians in her family, like the Von Trapps The Applewhites' prisoner tries to escape.
At the Applewhite house, Betty is setting up the food tray for prisoner and Matthew tells his mom that he just wants to go outside and play a little bit of ball. Betty tells her that he's such an excellent player that people will want to be his friend and before you know it they'll be wanting to drop by and calling, and they need to keep a low profile.
Matthew gets the gun and heads for the door that leads to the basement. He tells her he knows that, but he needs to get out of that house some time as he's going crazy there. When he unlocks the door, it is slammed against him as their prisoner was waiting just outside. The tray goes up in the air and Betty is thrown to the floor, much like the gun, as the man, still with his hands shackled, throws himself against Matthew, who tries to overpower him.
The two of them go up against the kitchen table, and a bowl with fruit falls to the floor and breaks. Matthew then throws him against the refrigerator and the two of them fall to the floor afterwards, still holding each other as they struggle. Betty gets up, and the prisoner uses his shackles to try and hit Matthew, but the latter ducks and he breaks a vase of flowers instead. As he tries to escape, Betty grabs him by the leg and he falls to the floor. Matthew throws himself on top of him and Betty grabs the gun and instantly hits the man over the head with it, causing him to drop unconscious to the floor.
Matthew, still on top of him, looks at his mother, very surprised. Outside, Susan is seen walking up to their house and ringing their doorbell. Inside, the Applewhites get very concerned. Betty puts the gun down on a table, with blood on its handle, and answers the door, bluntly asking Susan "What is it? She cheerfully tells her that her daughter is singing a song at church, and she wants to accompany her on the piano but she hasn't played in years, and because Betty was so amazing at Rex's funeral the other day, she was wondering They give each other awkward smiles, while Betty removes her hand, and Susan notices the blood stains on Betty's blouse, where her fingers were just now.
She is surprised and points out that she has something on her shirt. Betty notices the stains and says "I'm baking cherry pie. Once Susan's gone and Betty's back in the house, the prisoner is no longer in the kitchen, just the shattered glass and splattered blood. Matthew asks her what happened to maintaining a low profile, because if she's gonna keep being rude to people, they're gonna start whispering about them. Betty grabs a sponge and tells him he's right, as they do want to fit in. Lynette catches Stu playing with the videoconference system. Stu says "Jason's mouth. Lynette, clearly considering their behavior childish, asks Stu if that isn't the new videoconference setup, and he says it is, and asks her if she doesn't think the resolution is fantastic.
She gives him a "never mind"-type gesture and look, and walks away. She gets into Nina's office. She is seating at the secretary, checking out something on her computer, and Lynette makes it clear that she's got something to say about the next day's morning meeting. She goes on about how slow the first hour of the meeting is, and that she's got this thing to do, and Nina asks her if it's about her kids again.
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Lynette says she knows she promised she wouldn't do this, but Parker really needs her there with him on the first day of kindergarten. Nina interrupts her little story by asking why that should be her problem. Lynette answers because they can't escape the fact that she has kids. She adds that she loves her job, but to be fair, there needs to be some sort of balance.
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Nina asks her what about the people who didn't have kids, doesn't she think they might need a little more balance in their lives? Nina says that maybe they'd like to catch a matinee, or come in a little late after a crazy night out, or even get a haircut, which she herself hasn't been able to do for two months. Therefore, this is about fairness to the people who are childless by choice. Lynette caves in, and turns to leave. When she gets to door, she turns back to Nina and says "And I'm sorry about your hair. I can see why you're upset. Outside the office, Stu tries to capture Lynette on camera, telling her to open her mouth.
She grabs him by the arm to pull him and his cell phone away, but then has a better idea. At the Scavo household, Parker takes a cell phone and tells his mom that he doesn't understand what's going on. The computer in front of him and his parents has been set up with the videoconference system. Lynette tells her child that said system will allow her to be with him on his first day of school.
Parker doesn't seem too thrilled, and hearing his mom saying "The resolution is fantastic. Gabrielle is shocked to see John "trimming the bushes". Gabrielle drives up to some neighborhood on her new Aston Martin, and checks out John Rowland trimming some bushes with an electric chainsaw. She gazes at him with apparent anxiety, until she notices a middle-aged red-headed woman, Joan Novak , coming out of the house.
Novak starts stroking John's back and gestures at him to come inside. John does, and Gabby is very surprised. She gets out of her car and heads for the house as well. She then looks through the window, sneakily, and is shocked by what she sees. We hear moans coming from inside the house, implying John and Joan are having sex.
An infuriated Gabrielle starts to leave, until she notices the chainsaw, takes it and turns it on. Moments later, when John and Joan get out of the house with the latter dressed in a robe and kiss, Gabby watches from her car, and then drives off with a smile. Novak turn to the front yard and are both shocked to see that the woman's flowers have all been cut off from their vases. Mike visits Felicia Tilman. Mike visits Felicia Tilman , who is back from the hospital, at her house.
He brings her a small vase with flowers. Felicia's got a blackened eye, a mottled face, her right arm is in a cast and her neck in a brace. They greet each other, and Mike hands her the vase. Felicia says she can't tell him how long it's been since she's gotten flowers from a handsome man. Better yet, she could tell him, but she doesn't want him to feel sorry for her. When she moves from the door to position the vase in her front porch, Mike notices some luggage inside the house.
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He asks her where she's off to. She tells him she's going back to Utah for a few weeks, as the recuperation is taking longer than the doctors anticipated. She then asks him if they've caught young Zachary already. Mike says no, and tells her that's actually why he's there. Felicia says "So the flowers were just a ruse. He says he's trying to find Zach before he gets into any more trouble. He asks her if she knows of any friends he might have or anywhere he might be holed up? Since he beat me and threw me down the stairs, we just don't stay in touch like we should.
Mike says "It's complicated. Mike says "No, I let Paul go.
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I couldn't go through with it. Mike tells Felicia, thus stopping her, that Paul will spend the rest of his life running from the police, which he thinks is punishment enough. Felicia explains to him that Zach is the only connection that Paul has with his dead wife, and at some point he will run back to the lane looking for him.
Mike looks as though he's just had a realization. Felicia says, with a smile, "I don't like to be negative, but you really should've killed him.
Bree prepares to tell her children what happened. That night, Bree, Andrew and Danielle are all having dinner. They're all very quiet while listening to some classical music. Bree drinks a glass of wine and then puts it down on the table, before preparing to tell her children something. She announces, at the risk of ruining a lovely evening, that she's got some unpleasant news: Andrew and Danielle turn their heads to her in shock. Bree explains to them that apparently they want to run an autopsy, as they don't think Rex died of a heart attack, they think that somebody was poisoning him.
Danielle asks who would poison her daddy, and Bree says "Well, apparently I'm a suspect. Andrew and Danielle are surprised to hear her saying this and keep staring at her. She notices their staring, and explains that the police always looks at spouses first, it has something to do with statistics. She gets no response other than their apparent awkwardness, and adds that it's just a formality and she should be cleared in no time.
They keep looking at her in silent, and Bree raises her voice a bit as she tells them to please stop looking at her that way as she obviously didn't kill their father, because she loved him deeply. Danielle acknowledges that, but says that she and her father had a lot of problems and everyone knows that. Bree asserts that they had issues indeed, but she never would have hurt him. Danielle asks her about the night her father had his second heart attack. Danielle leans up against the chair, and Andrew remains silent. Bree thanks her, and he asserts that that was no compliment: Bree, holding her glass of wine, looks at him with surprise.
Betty helps Susan with her piano-playing skills. Susan is playing away at Betty Applewhite's piano. She thanks Betty, with a smile, for changing her mind about helping her, which is something she really appreciated. Betty smiles back at her and says she's happy to help.
You'll Never Get Away From Me
She then stops Susan and tells her she's sorry if she seemed rude before, explaining afterwards that she was having a bad day. Susan smiles as though she's not making much of that situation anymore, and she keeps hitting the piano keys and stepping on the pedal. Betty tells her, rather unconvincingly, that her playing is good, but then she adds that Susan might want to lay off the pedal. Susan is surprised and says "Really? Oh, I thought it made it sound more professional. She points out to Betty that her son really likes to play his hip-hop music loud. Betty, in a rather mechanic manner, as though she knows she's about to engage in chit-chat, crosses her arms and says, with a smile, in a rather sing-song and slow fashion: As the camera pans away, we hear Betty telling Susan to arch her fingers.
Inside the basement's compartiment, we see Matthew drilling away at the metal door, reinforcing its resistance, next to a radio that's blasting out the hip-hop music. Matthew, however, isn't even listening, as he's got ear plugs on. Julie tries to stop her mom and Edie from arguing. Share this Rating Title: Use the HTML below. You must be a registered user to use the IMDb rating plugin. Photos Add Image Add an image Do you have any images for this title? Edit Cast Episode cast overview, first billed only: Susan Mayer Felicity Huffman Lynette Scavo Marcia Cross Gabrielle Solis Nicollette Sheridan Edie Britt Alfre Woodard Betty Applewhite Ricardo Chavira Paul Young credit only Andrea Bowen Julie Mayer Doug Savant And she tells him that her new car, which she bought without his knowledge, is the best present he's ever given her.
Lynette's new boss, Nina, says no when she asks to take the morning off to bring Parker to school for his first day. So Lynette rigs up a remote camera so she can be there—only she keeps getting called away to a meeting. She maneuvers a piping hot mug of coffee so that it spills in Nina's lap, canceling the meeting. She's then free to talk to Parker through his first day. Mike goes to see how Felicia is doing and asks if she knows where he might be able to find Zach. She says that after Zach beat her and pushed her down the stairs, she's a little less interested in his well-being.
She's also disappointed to hear that he didn't end up killing Paul and warns he'll be back looking for Zach himself. Susan is furious to find out that Edie is going to accompany Julie on guitar in a church family talent show. She goes to Betty for help in brushing up her piano playing skills, but she catches her at a bad time, just as their mysterious prisoner in the basement has gotten free and had to be forcibly subdued.
Betty refuses to help or let her in and explains the red stains on her shirt are because she was making a cherry pie. From Wikipedia, the free encyclopedia. This article is about a Desperate Housewives episode.